The Blues Research Paper Example | Topics and Well Written Essays - 1250 words

The Blues - Research Paper Example Bessie Smith was born to a poor African American family in Chattanooga, Tennessee, and was brought up by her older sister because her parents both died very young. This hard start in life, moving from house to house without a stable home environment, is the classic stuff of the Blues, and she got involved in singing with other family members initially as a way to earn money to feed herself and her siblings. Many details about Bessie’s early life are not known, and this is mainly because the lives of black people were often not considered remarkable enough to be documented accurately. Evidence of her school career and early singing activities is, for example sketchy. It is likely that she experienced singing in the Church, since her father was a part time preacher as well as a day labourer, and in the street, since that is where she would have spent a lot of time as a child. It appears that Bessie started her performing career with her brother in the streets near her home, and then gradually progressing to various roles in Vaudeville and travelling â€Å"tent shows† which appeared frequently in Chattanooga due to the town’s strong connections with railway companies. (Scott, 2008, p. 92) Much of this early work was in supporting roles, such as chorus singing. As a young woman without parents to chaperone her, Bessie had a freedom to experience all the excitement, and of course the danger and immorality, that surrounded the music scene in the black communities of the South. Bessie’s singing talent and huge personality made an impression with music publishers and soon she began to record songs made famous by other female singers like Ma Rainey, adding her own personal style, and incidentally creating a fashion for â€Å"cover† records which then took hold of the music publishing world. (Davis, 1995, p. 76) Although Bessie Smith died tragically in an automobile accident at the age of only forty three, she was one of the most distin ctive voices of the early Blues period. Bessie Smith’s singing talent was the key to her success but added to this was her larger than life personality and her commanding physique. As a large and confident black woman she dressed lavishly and obviously enjoyed the star status that her career had brought her. The beauty that she had was of a different kind than the ideals of the age: instead of the slim and tailored look that professional women chose, Bessie opted for flamboyant styles and exuberant colors. This was not a woman who could be easily overlooked in a room full of people. Her voice was loud and deep, but with a very subtle flexibility that made it ideal for the nuances of sadness that the early Blues lyrics required. Bessie sang the popular blues songs of the day, most famously the title song â€Å"St Louis Blues† for the famous film of that name, but she also wrote her own material which indicated an assertive, rebellious, and very womanly perspective on th e world. The lyrics to her song, â€Å"Young Woman’s Blues† for example, promote the lifestyle of a wandering singer, deliberately choosing to reject conformity and the attractions of respectable married life, which emulated white society’s standards: â€Å"I’m as good as any woman in your town, I ain’t no high yella, I’m a deep killer brown. â€Å"I ain’t gonna marry, ain’t gon’ settle down. I’m gon’ drink good moonshine and run these browns down.†

Art history Essay Example | Topics and Well Written Essays - 1500 words

Art history - Essay Example orld styles of flattened figures and animorphed images combining the figures of animals and humans in different ways for different meanings to the ‘new’ world styles which included more humanism in expression and optical experience reflected in the art forms. By the time of the Romans, there was a much greater emphasis and development of naturalistic expression of form, including natural bodily movements, weight and strain. A comparison of the Grande Ludovisi Sarcophagus (The Ludovisi Battle) and the Dying Warrior from the Temple of Aphaia reveal both the similarities of cultural beliefs as well as the differences of emphasis of expression. Both the Grande Ludovisi Sarcophagus and the Dying Warrior present similar images of death and dying using marble as a base material, but they remain sharply different because of the scale of the individual figures as well as several of the smaller visual elements involved in each. Although separated by approximately 700 years, both the earlier Dying Warrior statue and the Ludovisi Sarcophagus represent mastery of sculptural art in different dimensions. Both of these works of art are presented in marble and each detail some sense of battle. The Ludovisi Sarcophagus can be seen to have been carved from a single block of marble that measured at least nine feet wide by five feet high and four and a half feet deep (â€Å"Art of the Roman Empire†, 2005). Of only slightly smaller scale overall, the Dying Warrior from the east pediment of the Temple of Aphaia measures just over six feet long. However there has been a great deal of discussion regarding just what the statue is truly made of. While some scholars say it is marble, others have suggested the statue was first created in poros, the native rock of the island on which the temple stands (George, 2001). In addition, a great deal of detail about this statue can still only be guessed at as several segments of the statue are missing, particularly the knee joint of the